{"id":17844,"date":"2019-10-13T21:47:56","date_gmt":"2019-10-13T21:47:56","guid":{"rendered":"https:\/\/tfciadedanca.com.br\/?p=17844"},"modified":"2026-05-24T22:47:47","modified_gmt":"2026-05-24T22:47:47","slug":"elo","status":"publish","type":"post","link":"https:\/\/tfciadedanca.com.br\/en\/2019\/10\/elo\/","title":{"rendered":"ELO"},"content":{"rendered":"

Release<\/strong><\/span><\/p>\n

I that added to the other, creates the understanding of us: unbound, unchained, but united by play, by movement, by affection. ELO<\/strong> is configured as a poetic proposition for alternative spaces that dialogues body, architecture, and audience in search of another look at the city, inhabiting the invisible. What is the urgency of this body today? Against the drive toward death, only the friction that generates empathy and otherness. An exercise to make visible a perspective of the city through meeting the other. <\/em><\/p>\n

Bodies in poetic deviations that seek the anarchy of affections. A pulse of empathy. It is the smile as an invitation and the body as the other\u2019s home. What sensitizes? How do you practice empathy? To touch was, still is, and will forever be, the true revolution. Neither him, nor her. ELO<\/strong>.\u00a0<\/em><\/p>\n

APCA Award for Best Debut 2019<\/em><\/strong><\/p>\n

Photos:<\/span><\/strong> Adriano Escanhuela, Isis Gasparini, Helena Le\u00e3o, Fernanda Valois, Carol Vidal, Ivo Lima, Paulo Liebert and Max Gall\u00e3o.<\/p>\n