{"id":17866,"date":"2026-03-21T02:11:33","date_gmt":"2026-03-21T02:11:33","guid":{"rendered":"https:\/\/tfciadedanca.com.br\/?p=17866"},"modified":"2026-05-24T22:47:55","modified_gmt":"2026-05-24T22:47:55","slug":"under-the-skin-recreation","status":"publish","type":"post","link":"https:\/\/tfciadedanca.com.br\/en\/2026\/03\/under-the-skin-recreation\/","title":{"rendered":"Under the Skin (Recreation)"},"content":{"rendered":"\n

Release<\/strong><\/p>\n\n\n\n

How many skins do we change in a decade? From a reinvestigation of the creative processes of the work Under the Skin, from 2016, what traces remain embedded beneath the skin today? Still starting from a relationship between body and city, we can now perceive a world of coexistences. A body that breaks with what is established, that overflows through its pores. Under the Skin \u2013 Recreation is a desire for the coming together of many bodies, that divert, that bend, that curve, that stretch. The multiple skins of this city: wrinkled, contracted, ready to burst. Sensitive and exposed, it connects us, protects us, and invites us to a sensorial experience.<\/em><\/p>\n\n\n\n

\u201dIt\u2019s not enough to want to move forward instead of going backward. A present is always made up of intersecting process lines, not only distinct temporalities, but also dissenting directions, and therefore, possible detours\u201d<\/em> -Peter P\u00e1l Pelbart<\/em><\/p>\n\n\n\n

Photos: <\/strong>Jo\u00e3o Benz and Pri Magalh\u00e3es.<\/p>\n\n\n\n

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Full material: <\/strong>Photos, Release, Technical Sheet, Stage Maps, Sound and Lighting.
Access this link.<\/a><\/p>\n\n\n\n


Videos:<\/strong><\/p>\n\n\n\n

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